By Michael Murray
In the Communist-hunting climate of the McCarthy era in the 1950s, many of the avant garde artists working in the United States were seen as radicals and communists. Public funding was often withheld until an artist
In the Communist-hunting climate of the McCarthy era in the 1950s, many of the avant garde artists working in the United States were seen as radicals and communists. Public funding was often withheld until an artist